Archive for January, 2011

January 31, 2011

Lucille’s Gifts: A Tribute to Lucille Clifton, Poet and Teacher

LucilleClifton

Should you be heading to Washington, DC this week for AWP, please make sure to join us for a tribute to Lucille Clifton, celebrated writer and educator.

KC Culver, Michael S. Glaser, Theresa Sotto, Jayme McLellan, Lauri Watkins will make up a panel to honor Lucille Clifton, not only as an author of international importance, but also as mentor and colleague. Lucille enjoyed a long career sharing her light with faculty, undergraduates, and graduates. Participants will discuss her compelling presence, her teaching and writing methods, and her influence on us as students, teachers, and human beings. We will also explore how her aesthetic influenced us as writers.

The panel will be held on Saturday, February 5 from 10:30-11:45

Delaware Suite Room, Marriott Wardman Park Hotel, Lobby Level

January 31, 2011

Swing by Our Table at AWP!

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BOA Editions will be camped out at tables B31 and B32 in Hall B North during this week’s Association of Writers and Writing Programs annual conference in Washington, DC at the Marriott Wardman Park Hotel.

We have a special lineup planned for the conference, including signings by 2010 BOA authors and a tribute to Lucille Clifton on Saturday.   Hope to see you all there!

(All events listed will occur at tables B31 and B32, except for the Clifton tribute)

Thursday, February 3:

2 PM: Sean Thomas Dougherty signs Sasha Sings the Laundry on the Line

Friday, February 4:

11AM: Anne Germanacos signs In the Time of the Girls

1PM: Craig Morgan Teicher signs Cradle Book: Fables & Stories

2PM: Wyn Cooper signs Chaos is the New Calm

Saturday, February 5

10:30AM: Lucille Clifton Tribute

(including KC Culver, Michael S. Glaser, Theresa Sotto, Jayme McLellan, Lauri Watkins) This panel will pay tribute to Lucille Clifton, not only as an author of international importance, but also as mentor and colleague. Lucille enjoyed a long career sharing her light with faculty, undergraduates, and graduates. Participants will discuss her compelling presence, her teaching and writing methods, and her influence on us as students, teachers, and human beings. We will also explore how her aesthetic influenced us as writers.

Delaware Suite Room
Marriott Wardman Park, Lobby Level

11AM: Jeanne Marie Beaumont signs Burning of the Three Fires

2PM: Barbara Jane Reyes signs Diwata



Posted by BOA Editions, Ltd. under: BOA Events

January 28, 2011

Waldrep and Gallaher make Publishers Weekly Top Ten

Publishers Weekly recently announced its list of the best new titles being published this spring.  Out of the 6,000 titles submitted, ten were chosen for each genre.  In what is called, “a strong season for poetry,” G.C. Waldrep and John Gallaher’s new collaboration Your Father on the Train of Ghosts found its way into the top-ten list of spring poetry.

Reviewer Craig Morgan Teicher, who refers to Waldrep and Gallaher as “two rising poetic stars,” writes, “The result of the collaboration sounds like neither of their poetic voices; rather, it’s a weird third voice you’ll want to get to know.” 

Read Publishers Weekly’s full list here Spring 2011 Adult Announcements 

TrainofGhostsCover_smaller

January 27, 2011

The Rumpus Loves Teicher’s Boundary Breaking

Calling Cradle Book “among the year’s most innovative work,” Danniel Schoonebeek reviews Craig Morgan Teicher’s latest book of poems as both imaginative and unsettling.  Schoonebeek compares Teicher to several other American poets who are “breaking the boundaries of contemporary form to establish new aesthetic frontiers.”  He writes that while Cradle Book stems from traditional folklore, Teicher creates his own new form. 

“Teicher’s is a speaker, who like a god, likes to dictate the terms of his universe, of his story, by speaking them into existence.  In fact, Teicher’s speaker is not a speaker at all – he is a storyteller.”  

Read the full review here The Rumpus.net

teicher cover

January 26, 2011

A New Face at BOA

BOA Editions is proud to welcome Albert Abonado to the staff! Al spent the last few months working for BOA as the A. Poulin Jr. Poetry Prize Coordinator and volunteering his time helping at readings and events. He has proven himself to be a wonderful team player and a passionate advocate for poetry and literature. As of February 1st, Al will officially join the BOA staff as Associate Director of Marketing and Production. His duties will include assisting in all areas of marketing and promotion as well as guiding books through the various stages of production, warehousing, release, and reprinting.  

Al received his B.A in Sociology from SUNY Geneseo. He also holds an MFA from the Bennington Writing Seminars. He is a published poet whose work has been nominated for a Pushcart prize and has appeared in issues of Rattle, Guernica, Anti-, and Fugue. He has poems forthcoming in issues of the New Ohio Review, Gargoyle, Washington Square, Inertia, and No Tell Motel.

Welcome to BOA, Al!

Albert Abonado. BOA's Associate Director of Marketing and Production.

Posted by BOA Editions, Ltd. under: BOA News

January 25, 2011

Pluma Fronteriza on Cool Auditor

The Fall 2010 issue of Pluma Fronteriza, a newsletter of Chicano(a) and Latino(a) writers of the El Paso and Cd. Juarez Border Region, features this review of Ray Gonzalez’s newest prose poetry collection, Cool Auditor:
  
“Fusing the real with the surreal and the natural world with human relationships, Gonzalez creates his own brand of magical realism.  Gonzalez also brings pop humor in such poems as “The Guitars,” which uses the word “guitar” in almost every sentence to talk about the true (and not so true) lives of rock stars.  David Lazar notes, ‘Ray Gonzalez may be our most essential prose poet.’”
Ray Gonzalez. BOA poet.

Ray Gonzalez. BOA poet.

Posted by BOA Editions, Ltd. under: Book Reviews

January 24, 2011

Craig Morgan Teicher Recognized by the Story Prize

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Great news!

Craig Morgan Teicher’s Cradle Book was named by the prestigious Story Prize as a notable book of 2010.

Check out the list of semi-finalists for the award over at the Story Prize Blog.

This praise adds to the growing list of recognition for Teicher’s debut collection of short stories, which was – oddly enough – also named by The New Yorker as a top poetry collection of the year due to Dan Chiasson’s insistence on “counting [Teicher's collection] as ‘prose poems’ mainly to get them on this list.”

Make sure to pick up your copy of Teicher’s highly lauded and wildly genre-defying collection today!

Posted by BOA Editions, Ltd. under: BOA News

January 24, 2011

Reading Marianne Moore’s “Baseball and Writing” and Getting Excited for this Saturday’s Workshop with Sean Thomas Dougherty!

With our upcoming workshop in poetry inspired by sports and athleticism in mind:

Baseball and Writing 
Marianne Moore

Fanaticism?  No.  Writing is exciting
and baseball is like writing.
   You can never tell with either
      how it will go
      or what you will do;
   generating excitement--
   a fever in the victim--
   pitcher, catcher, fielder, batter.
	Victim in what category?
Owlman watching from the press box?
	To whom does it apply?
	Who is excited?  Might it be I?

It's a pitcher's battle all the way--a duel--
a catcher's, as, with cruel
   puma paw, Elston Howard lumbers lightly
      back to plate.  (His spring
      de-winged a bat swing.)
   They have that killer instinct;
   yet Elston--whose catching
   arm has hurt them all with the bat--
	when questioned, says, unenviously,
   "I'm very satisfied.  We won."
	Shorn of the batting crown, says, "We";
	robbed by a technicality.

When three players on a side play three positions
and modify conditions,
   the massive run need not be everything.
      "Going, going . . . "  Is
      it?  Roger Maris
   has it, running fast.  You will
   never see a finer catch.  Well . . .
   "Mickey, leaping like the devil"--why
	gild it, although deer sounds better--
snares what was speeding towards its treetop nest,
	one-handing the souvenir-to-be
	meant to be caught by you or me.

Assign Yogi Berra to Cape Canaveral;
he could handle any missile.
   He is no feather.  "Strike! . . . Strike two!"
      Fouled back.  A blur.
      It's gone.  You would infer
   that the bat had eyes.
   He put the wood to that one.
Praised, Skowron says, "Thanks, Mel.
   I think I helped a little bit."
	All business, each, and modesty.
        Blanchard, Richardson, Kubek, Boyer.
	In that galaxy of nine, say which
	won the pennant?  Each.  It was he.

Those two magnificent saves from the knee-throws
by Boyer, finesses in twos--
   like Whitey's three kinds of pitch and pre-
      diagnosis
      with pick-off psychosis.
   Pitching is a large subject.
   Your arm, too true at first, can learn to
   catch your corners--even trouble
	Mickey Mantle.  ("Grazed a Yankee!
My baby pitcher, Montejo!"
	With some pedagogy,
	you'll be tough, premature prodigy.)

They crowd him and curve him and aim for the knees.  Trying
indeed!  The secret implying:
   "I can stand here, bat held steady."
      One may suit him;
       none has hit him.
   Imponderables smite him.
   Muscle kinks, infections, spike wounds
   require food, rest, respite from ruffians.  (Drat it!
	Celebrity costs privacy!)
Cow's milk, "tiger's milk," soy milk, carrot juice,
	brewer's yeast (high-potency--
	concentrates presage victory

sped by Luis Arroyo, Hector Lopez--
deadly in a pinch.  And "Yes,
   it's work; I want you to bear down,
      but enjoy it
      while you're doing it."
   Mr. Houk and Mr. Sain,
   if you have a rummage sale,
   don't sell Roland Sheldon or Tom Tresh.
	Studded with stars in belt and crown,
the Stadium is an adastrium.
	O flashing Orion,
	your stars are muscled like the lion.

Via Academy of American Poets

January 20, 2011

How to Write a Knockout Poem: Don’t Miss Your Chance to Get in the Ring with Sean Thomas Dougherty

mohammed-aliIt’s nearly one week away from BOA Editions’ How to Write a Knockout Poem with BOA-poet Sean Thomas Dougherty!

Don’t miss out on this fun opportunity to work closely with Sean as he guides the master class through a series of exercises to write your own ode to your favorite athletic idol, exploring the specific vocabulary of your chosen sport and how to translate that into your own powerful narrative and imagery.

“How to Write a Knockout Poem” will be held on Saturday, January 29 from 10AM to 12PM at Midtown Athletic Club in Rochester

Space is limited!  Please reserve a spot by calling 585.461.2300.

Cost is $50 and includes lunch.

Posted by BOA Editions, Ltd. under: BOA Events

January 19, 2011

Exactness with Ales Steger

In an interview with 3AM MagazineAles Steger, called “simply one of the most enjoyable poets to read in Europe right now,” answers questions about his poetic style, his influences, and his titles.  Steger has published 4 books of poetry in the past 15 years, his most recent being The Book of Things.

When asked about his style, which is called distinct and exact, Steger responds, “There are different kinds of exactness and different goals that could be acheived through attempts at precision.  Although rational, my poetry is not preoccupied with highlighting exact logical procedures.  Rather, it aims at throwing light at dark corners, gaps, broken meanings, abysses between ideas, words, showing the failure of speech, the wreckage of language.”   

Steger also discusses the way he uses humor to address dark concepts and the ability of a poem to “stir certain emotions and prejudices, and punctuate certain neuralgic spots.”

Read the full interview here 3AM Magazine

BOA poet Ales Steger. Photo by Joze Suhadolnik.

BOA poet Ales Steger. Photo by Joze Suhadolnik.